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Kenney Myers

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Poetry

10 Reasons Poems Don’t Always Need to Rhyme

August 17, 2015 by Kenney Myers

ezra-poundWhile the traditional view of formal poetry includes a very strict rhyme scheme that must be adhered to, the free verse style popularized by the great Ezra Pound largely eschews rhyme schemes altogether, instead relying on the power of the words themselves to paint a vivid portrait of the poet’s feelings. Free verse has become so widely accepted by publishers of modern poetry, in fact, that some won’t even entertain submissions of formal poetry. These are ten of the reasons why it’s okay to break the traditional mold in your own poetry, opting instead for something a bit less rigid.

  1. Free Verse is More Readily Published – If your dreams of being a published poet trump your desire to write classical poetry, you’re more likely to find success with free verse poems. So many modern publishers prefer or even require free verse that you’re more likely to struggle in terms of finding a publisher if all of your work rhymes.
  2. Rhyming Poetry Can Be Associated With Nursery Rhymes – Though there are plenty of mature, heartfelt and sincere masterpieces in the realm of classic poetry that adhere to a prescribed rhyme scheme, it’s also the chosen form of children’s poems and nursery rhymes. If your subject matter is more mature, free verse may be more readily accepted.
  3. Avoiding Predictability – There are only so many words in the English language that rhyme properly. Working within the constraints of a classic rhyme scheme naturally lends a bit of predictability to your work that might be missing in less structured styles.
  4. A Display of Unrestrained Emotion – It’s not always easy to convey truly passionate emotion when you’re working within a rigid construct, so poets with a fondness for high drama or a tendency towards more belletristic sentiments may find that free verse better suits their needs.
  5. They’re Translations – A poem that rhymes in the poet’s native tongue isn’t likely to work well as an English translation if rhyme is an issue, one of the reasons why Spanish poet Pablo Neruda’s work rhymes in its original form but is free verse in English translation.
  6. To Maintain Proper Flow – Struggling to find a rhyming word while keeping to the desired vocal rhythm can be a challenge. When every syllable counts, it may be more effective to steer away from rhymes and phonemes.
  7. Maintaining Sincerity – Portraying an element of sincere feeling or opinion requires a certain amount of freedom in some cases, freedom that isn’t always available within classic or formal poetry styles. If you’re more dedicated to the sincerity of your work than classical acceptance, there’s no reason why you should force yourself to rhyme and sacrifice that sincerity in the process.
  8. To Adhere to the Meaning of the Poem – In order to find a word that rhymes so that a classic scheme is possible, poets may be forced to alter the message or meaning of their work ever so slightly. In some cases, the idea of compromising the emotion in order to rhyme simply isn’t acceptable to a poet, so he opts for free verse instead.
  9. Avoiding Awkwardness – Some truly beautiful marvels of the written word have been executed in the classic rhyme scheme of a more formally-styled poem. There have, however, been far more awkward and contrived works that suffered largely due to the poet’s insistence on rhyming. It’s very easy to cross the line from “artistic” to “clumsy” with classical poetry.
  10. Preventing Distraction – When the rhymes of a poem are forced, the reader’s attention can be fixed more upon the device than the feeling the poet is trying to convey. One surefire way to avoid the distraction factor that’s so easily present in rhyming works is to simply choose the lack of constraint and rhyming requirements that come with free verse.

While free verse is more widely published and appreciated by many modern poetry publishers, it is still necessary for those attempting to emulate classical styles to work within the prescribed rhyme schemes, meter and structure of those styles. It’s certainly true that not all poems have to rhyme, but those who are striving for classical acceptance are still beholden to the formal rules.

Filed Under: Poetry

The Bottom Line

July 14, 2015 by Kenney Myers

bottomline

We all have heard this before
when someone tells us they can’t
It usually is accompanied
by some crazy sort of rant
They are too fat, too tall
not smart enough, too small,
too overwhelmed, too smart,
too skinny, or falling apart
They don’t have enough money,
They don’t have the right team
They have too much work to do
They are running out of steam
It seems there are tons of reasons
They can think to make it true
Yet the surest way I know to fail
Is to give up before you start
Because if you don’t believe you can
Then you won’t have enough heart
Indeed it is then always the case
That you might as well resign
Because you don’t have what it takes
And that my friends is the bottom line

Filed Under: Article, Poetry

The Big List of Different Types of Poems

June 25, 2015 by Kenney Myers

poetryWhen it comes to poetry, there are more formal types than the casual reader may realize. There’s definitely more to poetry than the rhyming sentiments in greeting cards, though many of those verses do adhere to one of these style forms. The poetry types listed here are a mere sampling of the many different forms out there, and can serve as an interesting starting point for a deeper study of poetry and its many styles.

  • Haiku – Comprised of three unrhymed lines with rigid syllable requirements, the Japanese haiku poetry form generally contains a season word and often focuses on nature. The syllable scheme of five morae for the first line, seven for the second and an additional five in the final line can present an interesting challenge for new poets.
  • Limericks – With five lines and a standard verbal rhythm, limericks are almost always humorous and are known for being quite bawdy. Vulgar limericks are certainly not uncommon, despite the fairly rigid format of five anapestic lines.
  • Sonnets – Immortalized by the classic works of William Shakespeare, Edna St. Vincent Millay and other masters of the form, sonnets are fourteen-line lyric poems that typically have one or more conventional rhyme schemes.
  • Villanelle – With nineteen lines, five tercets and a final quatrain on two rhymes, the villanelle is a challenging poetry form. The first and third lines of the first tercet also repeat alternately as closing refrains on the succeeding stanzas and the final couplet of the quatrain.
  • Epics – The sweeping poems detailing the heroic exploits of a strong figure are called epics, and are generally quite long and very serious. The Odyssey, Beowulf and Mahabharata are all examples of famous epic poems.
  • Couplets – Couplet poems are made up of two-line, rhyming stanzas. Couplets are commonly used in greeting card verses, though there are also some famous literary couplets.
  • Elegies – Melancholy in tone, elegies are poems written in remembrance of a particular person after their death. These memorial poems are thoughtful and respectful, generally detailing the accomplishments and good qualities of the departed subject.
  • Free Verse – Free verse poetry, or vers libre, can be written with or without a set rhyme scheme, have no fixed metrical pattern and no style requirements. Modern poetry publishers tend to favor free verse styles over the more rigid, formal formats of the past.
  • Lyric – The word “lyric” doesn’t just refer to the words of a song, though song lyrics are usually considered a lyric poem. The true definition of a lyric poem is that it expresses the feelings and thoughts of the writer, and focuses largely on emotion or opinion.
  • Ode – Long in length, meditative or thoughtful in nature and almost always in a serious tone, lyric poems feature an elevated style and the structure of stanzas is formal.
  • Quatrain – The format of a quatrain requires that the four lines adhere to a specific scheme. The second and fourth lines must rhyme and contain roughly the same number of syllables in order to retain the metrical style and verbal rhythm associated with the quatrain.
  • Rondeau – French in origin, the rondeau contains ten or thirteen lines with two rhymes, and the opening phrase is repeated twice within the poem as the refrain.
  • Sestina – Six stanzas of six lines each and a three-line envoy are the stamps of a sestina, with the last words of the first stanze repeated in a varied order in the other stanzas and also recurring in the envoy.
  • Romanticism – Poetry focused on the concept of love with an emphasis on the poet’s personal experience in love or romance falls under the “romanticism” style of poetry.
  • Pastoral – Poems that celebrate a rural lifestyle in the bucolic wonder of nature are referred to as “pastoral” poems. Nature untouched by the encroachment of modern civilization is the focus of a pastoral poem, with Milton’s pastoral epic Paradise Lost being one of the most famous examples.

Be sure to let me know if I missed any!

Filed Under: Article, Poetry

A True Hero

June 15, 2015 by Kenney Myers

soto

I have been moved by someone this season
Shedding tears at her amazing act
One teacher that showed us bravery
And honor when most would have cracked
She put her life on the line for her kids
How many of us would have done the same
In the face of pure, mortal danger
She pushed away her fear and became
A true hero in every sense of the word
One that this world should never forget
So to Vicki Soto, her family, and friends
I wish we could repay this overhwhelming debt
Thank you for inspiring us to be stronger
For shielding those children with your wings of love
I pray that you are surrounded by other angels
And continue to watch over us from heaven above.

-KLM

Filed Under: Article, Poetry

10 Reasons Every Poem Should Rhyme and How it Could Impact You BIG Time

May 29, 2015 by Kenney Myers

rhymeWhile Ezra Pound is largely credited with starting the free verse poetry movement that created more relaxed style requirements and eliminated the wide-spread use of formal poetry, there are still plenty of aficionados out there who firmly believe that all poetry should rhyme. These are ten of the reasons they use to support their argument, and reasons why some believe that rhyming poetry is far superior to its free-verse brethren.

  1. Establishing Structure and Rhythm – The placement of rhyming words and the establishment of structure, meter and vocal rhythm in a poem can significantly affect the way it sounds when read aloud. Fans of the formal rhyming styles insist that rhymes are necessary in terms of establishing rhythm.
  2. Assisting in Memorization – One of the reasons why many early poems were penned with rhyme schemes can be traced back to low literacy rates and the desire to memorize verses. Those who couldn’t read poems were still able to recite them, due to the memory-sparking power of rhyming words.
  3. Adhering to Style Guidelines – Formal styles of poetry dictate not only the number of lines and the number of syllables within those lines, but also a strict rhyme scheme that must be adhered to. In order to create classic, formal poetry, a poet must write verses that rhyme.
  4. Creating Symmetry – Symmetry among the verses of a poem can rely largely upon the way that a rhyme scheme is created by the poet. For this reason alone, some poetry purists refuse to entertain the notion of unstructured, asymmetrical free verse.
  5. Appealing to Younger Audiences – Kids are wild about poems that rhyme, making the creation of works that rhyme a wise literary and career move for poets hoping to appeal to a younger audience. From helping kids remember the words to their favorite verses to making it fun for them to recite, rhyming words are a cornerstone of kids’ poetry.
  6. Appealing to Older Audiences – Though it was established more than a century ago, there’s something about the wild-eyed, unrestrained emotion of free verse that makes it more suited to young adults’ fancies than more settled adults. As a result, poetry collections marketed at the senior citizen audience almost always feature works with a defined rhyme scheme.
  7. Carrying On a Grand Tradition – The works of greats like Emily Dickinson and William Shakespeare rhymed, and there are those who believe that carrying on that grand tradition has far more artistic merit than more relaxed, informal free verse.
  8. Rising to a Challenge – Managing to adhere to formal poetry styles with an established rhyme scheme while remaining true to the inspiration behind the work of art without penning a contrived, forced or awkward poem is a very real challenge. For those who value such a challenge, rhyming work is the only way to go.
  9. Lightening the Mood – Humorous poems, like limericks, often rely upon the clever turn of phrase and wordplay that comes with rhyming. Though it is certainly possible to write a serious, heartfelt poem with a classic rhyme scheme, it’s much more difficult to convey humor with free verse.
  10. Fulfilling an Artistic Vision – Just as some visual artists work exclusively in a particular medium, so do some poets. Those who are dedicated to traditional, formal styles as part of their own artistic vision work exclusively within those bounds, eschewing free verse altogether.

Despite adherents like the Queen’s English Society, which demands that all poetry rhyme in order to be recognized as such, most poetry publishers balk at printing formal, rhyming poetry. In fact, the submission guidelines of some of the more popular poetry publications clearly state that rhyming poetry will not be considered. If you don’t plan to publish the poems you write, these ten reasons are more than enough to justify a refusal to write free verse poetry.

Filed Under: Article, Poetry

Rules, Rules, Rules

May 5, 2015 by Kenney Myers

commandments
Rules, rules, rules it’s like people create them just so they can confuse me
Wrong or right, right or wrong a rush to judge don’t take very long see
Rules for the sake of rules will certainly create a bunch of fools indeed
Trying to change or rearrange the essence of what a person should be

Don’t get me wrong without law & order societies don’t last long agreed
But we have to prepare and take care of each other if we dare to believe
Because it’s love from above that gives us a shove & directs humanity
They were written in stone by God alone and will last for an eternity

For these are his commandments written down for you and me to read
Starting with the one and only God whose name starts with a capital G
Our God is a jealous God wanting only what is best for you and for me
Helping us to avoid the void that is created by following any other deity

These other gods with a small g will do anything to grab our minds daily
Becoming idols in our eyes before we realize they are mind controlling
We have to be strong to turn away to never stray from the one Yahweh
He is the alpha and omega the only God we need now and for always

When we say his name we have to give it the respect that it deserves
Saying it in worship and respect knowing that our God always observes
We shouldn’t say it in vain or disdain when people get on our nerves
We call his name to request a bit of his time which he lovingly reserves

Speaking of reserving time this is a tough one for you and certainly for me
We are instructed to respect the Sabbath and to keep that day holy
For God created the world in six days the heaven, the earth, and seas
On the seventh he rested as we should rest to recharge our batteries

We are told that we are to honor our father and mother and he told us why
Because through honoring and loving them we will live more fulfilled lives
Likely because they love us, lead us, and offer guidance to help us survive
God knew we would need them and wants us to listen to their advice

Surviving, thriving, and providing a safe place for our families to live
Free of murder or thoughts of death that the devil may violently give
Satan can plant pain, envy, & anger driving our inability to forgive
But we must love not hate and steer ourselves clear of being abusive

The love we give to each other when we exchange vows is divine
We are bound to each other as our lives are interwoven like a vine
We must not think about or lie down with another at any given time
Because once two become one to step out simply steps us out of line

There’s no side stepping or dancing around the truth when we lie
The guilt we feel builds whether it was little or big, yellow or white
We usually deceive only ourselves no matter how hard we might try
Because the truth will truly set you free and the guilt will waive goodbye

We should use our hands for the greater good and not for the good of one
Because stealing to line our own pockets can never be completely undone
Theft changes a man and becomes increasingly easier for us to condone
But right is right and wrong is wrong and jail is certainly not there for fun

When you see a neighbor with something or someone that you covet
You have to refrain from desiring it or them no matter how you love it
What’s theirs is theirs and whatever is mine is mine and that’s just fine
Don’t look and don’t touch because it’s far too easy to cross that line

These commands and rules exist for our own good I know that is true
They are about how to love God and teach me how to show love to you
These rules are there to help us in everything that we say and that we do
They help us to find meaning and to provide his heavenly point of view.

Filed Under: Article, Catch All, Christianity, Poetry

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